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Shop / Furniture & Collectible Design / Selin Console Table
Selin Console Table — Image 1⤢ EnlargeFurniture & Collectible Design · Image 1
Nº M0003

Selin Console Table

Verified provenance10% to the maker's community
Declared origin · DE
$4,212

Selin is a hallway held to attention. A slender top of Persian walnut — Juglans regia, from Tania Fiuzie's own reserve of gifted boards, worked to finish by her own hands and its lawful origin recorded in full — floats 82 cm high on two blade-thin legs that read as a single folded plane from across a room. The grain here is unusually straight and pale-gold at the sapwood edge, which Tania leaves intact rather than cutting away, so the console carries the whole width of the tree's story. A single hand-cut drawer runs almost silent on waxed runners. Finished with oil and beeswax. One piece only, signed inside the drawer where the owner, and no one else, will find it.

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Fibre composition

Solid Persian walnut with sapwood edge, oil and beeswax

Care

Keep out of direct sun; a yearly coat of oil keeps the grain alive.

Provenance

Sourced directly from Tania Fiuzie in DE. Each piece carries its object number (Nº M0003) and a note on the hands that made it.

Tania Fiuzie
EU atelier

Tania Fiuzie

Tania Fiuzie makes furniture the slow way, one piece at a time, in a small EU atelier where the loudest sound is usually a hand plane. What sets her work apart is simple: she works her own walnut — timber she owns, designs around, and shapes entirely by her own hands, from rough board to signed surface. She came to it through family: her grandparents' orchards held old Persian walnut trees, Juglans regia, and some of that wood — lawfully hers, gifted and inherited, milled and dried over years — still passes through her hands today, the clean route by which Persian walnut reaches her with no money ever flowing to Iran. Alongside it she selects European and American black walnut board by board. She cuts her own joints and signs nothing she would not keep herself. One of the people who built this house, she would still rather talk about the wood. Her pieces are made to be used hard and handed on: gallery-worthy in their making, built for a life of dinners, letters, and long ordinary evenings.
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