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Shop / Furniture & Collectible Design / Nocturne Dining Table
Nocturne Dining Table — Image 1⤢ EnlargeFurniture & Collectible Design · Image 1
Nº M0002

Nocturne Dining Table

Verified provenance10% to the maker's community
Declared origin · DE
$6,048

Nocturne takes its name from the near-black heartwood at the centre of each European walnut plank Tania selects for it — timber from managed Bavarian and Alsatian stands, documented plot by plot. The 220 cm top is book-matched from two boards so the figure mirrors down a soft central line, then eased at every edge until it feels worn-in on the first evening. Four tapered legs are angled a few degrees outward, a stance rather than a stiffness. Hand-oiled to a low sheen that photographs poorly and lives beautifully. Made in an edition of six, each numbered and signed; no two share the same grain, because no two boards ever do.

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Fibre composition

Solid European walnut, book-matched top, hand-oiled

Care

Blot spills promptly; re-oil lightly when the surface looks thirsty.

Provenance

Sourced directly from Tania Fiuzie in DE. Each piece carries its object number (Nº M0002) and a note on the hands that made it.

Tania Fiuzie
EU atelier

Tania Fiuzie

Tania Fiuzie makes furniture the slow way, one piece at a time, in a small EU atelier where the loudest sound is usually a hand plane. What sets her work apart is simple: she works her own walnut — timber she owns, designs around, and shapes entirely by her own hands, from rough board to signed surface. She came to it through family: her grandparents' orchards held old Persian walnut trees, Juglans regia, and some of that wood — lawfully hers, gifted and inherited, milled and dried over years — still passes through her hands today, the clean route by which Persian walnut reaches her with no money ever flowing to Iran. Alongside it she selects European and American black walnut board by board. She cuts her own joints and signs nothing she would not keep herself. One of the people who built this house, she would still rather talk about the wood. Her pieces are made to be used hard and handed on: gallery-worthy in their making, built for a life of dinners, letters, and long ordinary evenings.
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