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Shop / Furniture & Collectible Design / Scriptorium Writing Desk
Scriptorium Writing Desk — Image 1⤢ EnlargeFurniture & Collectible Design · Image 1
Nº M0005

Scriptorium Writing Desk

Verified provenance10% to the maker's community
Declared origin · DE
$5,616

Scriptorium is a desk that asks to be sat at rather than merely used. Its writing surface is a single leaf of Persian walnut — Juglans regia, from timber Tania Fiuzie inherited and milled herself and shaped entirely by hand, its path documented so that provenance is a fact and not a flourish, with nothing owed across any border. Two shallow drawers glide on hand-fitted runners; their fronts are cut from one continuous piece so the grain runs unbroken across the closed face. The top overhangs a slender trestle base, leaving the knees free. 150 × 70 × 74 cm. Oiled by hand, signed and dated beneath the right drawer. A single desk for a single correspondent.

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Fibre composition

Solid Persian walnut, hand-oiled; trestle base

Care

Avoid standing water; re-oil the writing surface yearly.

Provenance

Sourced directly from Tania Fiuzie in DE. Each piece carries its object number (Nº M0005) and a note on the hands that made it.

Tania Fiuzie
EU atelier

Tania Fiuzie

Tania Fiuzie makes furniture the slow way, one piece at a time, in a small EU atelier where the loudest sound is usually a hand plane. What sets her work apart is simple: she works her own walnut — timber she owns, designs around, and shapes entirely by her own hands, from rough board to signed surface. She came to it through family: her grandparents' orchards held old Persian walnut trees, Juglans regia, and some of that wood — lawfully hers, gifted and inherited, milled and dried over years — still passes through her hands today, the clean route by which Persian walnut reaches her with no money ever flowing to Iran. Alongside it she selects European and American black walnut board by board. She cuts her own joints and signs nothing she would not keep herself. One of the people who built this house, she would still rather talk about the wood. Her pieces are made to be used hard and handed on: gallery-worthy in their making, built for a life of dinners, letters, and long ordinary evenings.
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