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Shop / Furniture & Collectible Design / Ravan Bench
Ravan Bench — Image 1⤢ EnlargeFurniture & Collectible Design · Image 1
Nº M0008

Ravan Bench

Verified provenance10% to the maker's community
Declared origin · DE
$3,564

Ravan is a single Persian walnut plank asked to do one thing well. Juglans regia, from Tania Fiuzie's documented family stock and worked entirely by her own hands — lawful, transparent, no value flowing to Iran — its 180 cm run keeps a natural undulation along one edge where the tree's outline once was, left uncut. Two solid legs pass through the seat in wedged through-tenons visible from above, the joint doubling as the only ornament the piece allows itself. Low at 45 cm, it works at the end of a bed or the length of a hall. Finished in oil that deepens the reddish cast of this particular log. One bench, signed on the underside of the seat.

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Fibre composition

Solid Persian walnut, wedged through-tenons, hand-oiled

Care

Wipe clean; re-oil the seat where it sees the most wear.

Provenance

Sourced directly from Tania Fiuzie in DE. Each piece carries its object number (Nº M0008) and a note on the hands that made it.

Tania Fiuzie
EU atelier

Tania Fiuzie

Tania Fiuzie makes furniture the slow way, one piece at a time, in a small EU atelier where the loudest sound is usually a hand plane. What sets her work apart is simple: she works her own walnut — timber she owns, designs around, and shapes entirely by her own hands, from rough board to signed surface. She came to it through family: her grandparents' orchards held old Persian walnut trees, Juglans regia, and some of that wood — lawfully hers, gifted and inherited, milled and dried over years — still passes through her hands today, the clean route by which Persian walnut reaches her with no money ever flowing to Iran. Alongside it she selects European and American black walnut board by board. She cuts her own joints and signs nothing she would not keep herself. One of the people who built this house, she would still rather talk about the wood. Her pieces are made to be used hard and handed on: gallery-worthy in their making, built for a life of dinners, letters, and long ordinary evenings.
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