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Shop / Furniture & Collectible Design / Ladder & Light Étagère
Ladder & Light Étagère — Image 1⤢ EnlargeFurniture & Collectible Design · Image 1
Nº M0007

Ladder & Light Étagère

Provenance unverified10% to the maker's community
Declared origin · DE
$4,428

Ladder & Light leans, deliberately, at the angle of a ladder set against a wall — and holds five graduated shelves that widen as they descend. Built from European walnut with straight, open grain, it keeps its back entirely clear, so daylight passes through the frame and books sit against nothing but the room behind. The leaning geometry is structural, not decorative: the load pushes the piece into the wall rather than away from it. Rungs are through-tenoned and pinned. 180 cm tall, made in an edition of six, each numbered. Hand-oiled to a matte finish, signed on the lowest rung. Meant to be moved rarely and lived with daily.

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Fibre composition

Solid European walnut, through-tenoned rungs, hand-oiled

Care

Keep the lean angle against a solid wall; re-oil the rungs yearly.

Provenance

Sourced directly from Tania Fiuzie in DE. Each piece carries its object number (Nº M0007) and a note on the hands that made it.

Tania Fiuzie
EU atelier

Tania Fiuzie

Tania Fiuzie makes furniture the slow way, one piece at a time, in a small EU atelier where the loudest sound is usually a hand plane. What sets her work apart is simple: she works her own walnut — timber she owns, designs around, and shapes entirely by her own hands, from rough board to signed surface. She came to it through family: her grandparents' orchards held old Persian walnut trees, Juglans regia, and some of that wood — lawfully hers, gifted and inherited, milled and dried over years — still passes through her hands today, the clean route by which Persian walnut reaches her with no money ever flowing to Iran. Alongside it she selects European and American black walnut board by board. She cuts her own joints and signs nothing she would not keep herself. One of the people who built this house, she would still rather talk about the wood. Her pieces are made to be used hard and handed on: gallery-worthy in their making, built for a life of dinners, letters, and long ordinary evenings.
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