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Shop / Furniture & Collectible Design / Column Étagère
Column Étagère — Image 1⤢ EnlargeFurniture & Collectible Design · Image 1
Nº M0006

Column Étagère

Verified provenance10% to the maker's community
Declared origin · DE
$4,968

Column is a vertical argument for restraint. Five solid European walnut shelves are let into two upright stiles with sliding dovetails — no screws, no brackets, the whole structure holding itself together through joinery and gravity. At 190 cm it reaches nearly to a room's cornice while occupying barely a third of a metre of floor. The walnut is chosen for consistency of tone so the eye reads the object as one line rather than seven parts; the shelves thin toward their front edge to lighten the whole. A freestanding piece, not wall-fixed, engineered to stand plumb on its own. Hand-oiled, signed at the base of the left stile. One only.

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Fibre composition

Solid European walnut, sliding-dovetail shelves, hand-oiled

Care

Dust the shelves; oil once a year, top to bottom.

Provenance

Sourced directly from Tania Fiuzie in DE. Each piece carries its object number (Nº M0006) and a note on the hands that made it.

Tania Fiuzie
EU atelier

Tania Fiuzie

Tania Fiuzie makes furniture the slow way, one piece at a time, in a small EU atelier where the loudest sound is usually a hand plane. What sets her work apart is simple: she works her own walnut — timber she owns, designs around, and shapes entirely by her own hands, from rough board to signed surface. She came to it through family: her grandparents' orchards held old Persian walnut trees, Juglans regia, and some of that wood — lawfully hers, gifted and inherited, milled and dried over years — still passes through her hands today, the clean route by which Persian walnut reaches her with no money ever flowing to Iran. Alongside it she selects European and American black walnut board by board. She cuts her own joints and signs nothing she would not keep herself. One of the people who built this house, she would still rather talk about the wood. Her pieces are made to be used hard and handed on: gallery-worthy in their making, built for a life of dinners, letters, and long ordinary evenings.
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