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Zardouzi Aurora Robe — Image 1⤢ EnlargeFestival Clothes · Image 1
Nº F0021

Zardouzi Aurora Robe

Verified provenance10% to the maker's community
Declared origin · IR
$583

A floor-grazing open robe built from vertical panels of hand-sewn sequins running from shoulder to hem — teal, violet, rose, and gold shifting against each other as the wearer moves, the same panel-by-panel logic Laleh's zardouzi training uses for gold-thread court coats, translated into a palette built for a night on the playa instead of a Qajar reception hall. Cut generous and worn open over bare skin or a base layer, unlined and unstructured so the sequins catch every light source from every angle. Each panel is sewn by hand, one sequin at a time, so density and colour drift slightly across the width; no two robes catch the light exactly the same way. Fastens with nothing — it is worn open, by design.

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Fibre composition

Hand-sewn sequins on cotton backing, unlined

Care

Spot clean only; hang, never fold, to protect the sequin rows

Provenance

Sourced directly from Laleh Ghasemi in IR. Each piece carries its object number (Nº F0021) and a note on the hands that made it.

Laleh Ghasemi

Laleh Ghasemi

Laleh trained in zardouzi — the centuries-old Persian court craft of metallic-thread and sequin embroidery, historically worked onto royal robes and ceremonial coats — in her grandmother's workshop in Rasht before turning the same needle and the same panel-by-panel construction toward a garment built for a different kind of ceremony: the desert, at night, under lights instead of chandeliers. She still stitches every sequin by hand, one thread pass at a time, the same tension and spacing zardouzi has always demanded; only the palette and the destination have changed.
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