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All The Good Things.
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The makers / Tara Farahani
New York

Tara Farahani

Tara Farahani casts household objects her family owned before they emigrated and were forced to leave behind — a specific teapot, a specific radio, a set of drawer handles — working entirely from her relatives' spoken descriptions, since no photographs of the originals survived the move. She builds each object first as a rough clay model, checks it against family memory over the phone, revises, and only then makes the mold for the final resin cast. The finished pieces carry small, deliberate inaccuracies — a handle slightly the wrong shape, a spout at the wrong angle — that mark them as reconstructions rather than replicas. She works from a studio in the diaspora and casts each edition herself in small batches.

Tara Farahani
Where they come from

Tara Farahani casts, in resin, small household objects her family had to leave behind when they emigrated — recreated from description alone, since no photographs survived.

Where they live

New York

What matters to them

She'd rather cast an object slightly wrong from memory than get it exactly right from a photograph that doesn't exist.

From the workshop of Tara Farahani