Tara Farahani
Tara Farahani casts household objects her family owned before they emigrated and were forced to leave behind — a specific teapot, a specific radio, a set of drawer handles — working entirely from her relatives' spoken descriptions, since no photographs of the originals survived the move. She builds each object first as a rough clay model, checks it against family memory over the phone, revises, and only then makes the mold for the final resin cast. The finished pieces carry small, deliberate inaccuracies — a handle slightly the wrong shape, a spout at the wrong angle — that mark them as reconstructions rather than replicas. She works from a studio in the diaspora and casts each edition herself in small batches.
Tara Farahani casts, in resin, small household objects her family had to leave behind when they emigrated — recreated from description alone, since no photographs survived.
New York
She'd rather cast an object slightly wrong from memory than get it exactly right from a photograph that doesn't exist.

