Golnaz Ahmadi

Golnaz Ahmadi works alone, on a timer, in whichever apartment she happens to be renting that year. She sets the camera on a tripod, walks into frame, and holds the same posture she has used since her first move abroad — shoulders square, chin level, hands loose at her sides. The furniture changes, the light changes, the city changes; the pose does not. Shot on medium-format film and printed at a fixed size regardless of the room's proportions, the series functions as a kind of ledger of displacement — each image dated, each apartment named only by the city it was in. She works from a studio in the diaspora, printing and archiving the full series herself before any print reaches a buyer.

Golnaz Ahmadi stages self-portraits on a timer in rented apartments across the cities she's lived in — the same pose, repeated, in rooms that never quite become home.

Los Angeles

She's less interested in any one apartment than in what stays constant across all of them.