Mahsa Radan

Mahsa Radan left Tehran for Berlin at nineteen, studying painting at the Universität der Künste before settling into a converted courtyard studio in Neukölln. Her canvases are large — often two metres across — built up in thin, repeated layers of oil so the colour sits just below the surface rather than on top of it. She works without preparatory sketches, mixing each field on the canvas itself and stopping the moment a colour starts to resolve into something recognizable. The unfinished-letter description is literal: she keeps a running list of names and dates in the margins of her sketchbooks, addresses she never sends. Pieces reach ATG directly from her studio, no intermediary — each one dated to the month it was completed rather than titled.

Mahsa Radan left Tehran for Berlin at nineteen and has painted large, unpeopled colour fields ever since — canvases she describes as "letters I never finished addressing."

Berlin

That a painting can hold an address it never reaches, without turning that absence into a message.