Atelier Yazd

Atelier Yazd works spun brass with a hand chisel, piercing each panel with hundreds of small cuts arranged so that lit from within, the piece throws a field of individual points of light rather than a single glow. The technique descends from the pierced-metal windows and wind-catchers of Yazd's old desert architecture, where the same perforation method regulated light and airflow through thick mud-brick walls. The workshop turns that same logic into a contemporary lantern form — clean, spherical or cylindrical, scaled for a tabletop or a single hanging fixture rather than a building facade. Every cut is made by hand with a small hammer and punch; no laser cutting, no template beyond the maker's own eye. Pieces reach All The Good Things through a screened export partner working out of Yazd.

Atelier Yazd hand-pierces spun brass so light falls through in a thousand points — a modern lantern shape carrying an old desert-city technique.

Yazd, Iran

That the technique built to cool a desert house can still throw the same field of light indoors, at table scale.